At the Graham Greene International Festival in Deans' Hall, Berkhamsted School (Hertfordshire, England, UK) on the morning of Sunday 4th October 2009 David Pearce gave a characteristically entertaining and enlightening talk on "Dr. Fischer of Geneva or The Bomb Party and coming to terms with terrorism".
In this novel, argued David Pearce, Greene writes a story which is compact, which has great economy and composure. It is a mature statement from the writer, whose daughter Caroline was present at the moment of creation, namely a dinner on Christmas Eve with grandsons there too. The plot is simple, uncluttered and static, yet ideas twist and turn. The author recycles and reinvents everything: names, characters, situations. It is a love story, but also a tale of loneliness and emptiness. The thought is offered that, if love and benevolence are taken away, there is nothing to choose between God and Satan. The final joke is that death may provide a respite, yet we are frightened of it. The last enemy, however, is not death; it is undeath, not being able to remove oneself from the nightmare. There is infinite longing in this novel: it celebrates love and hope; it is witty and perceptive, but never sentimental and it offers the possibility of happiness. David Pearce added that, if he were still an English master at Berkhamsted School, he would make this book compulsory reading.
Prof. Cedric Watts (University of Sussex, UK), author of A Preface to Greene (Longman, 1997) and a regular guest speaker at Festivals, rose from his place in Deans’ Hall to tell the audience that in the light of David’s talk he needed to rewrite his own book!
David Pearce is a Trustee and co-founder of the Graham Greene Birthplace Trust, and was Festival director for four years.
In this novel, argued David Pearce, Greene writes a story which is compact, which has great economy and composure. It is a mature statement from the writer, whose daughter Caroline was present at the moment of creation, namely a dinner on Christmas Eve with grandsons there too. The plot is simple, uncluttered and static, yet ideas twist and turn. The author recycles and reinvents everything: names, characters, situations. It is a love story, but also a tale of loneliness and emptiness. The thought is offered that, if love and benevolence are taken away, there is nothing to choose between God and Satan. The final joke is that death may provide a respite, yet we are frightened of it. The last enemy, however, is not death; it is undeath, not being able to remove oneself from the nightmare. There is infinite longing in this novel: it celebrates love and hope; it is witty and perceptive, but never sentimental and it offers the possibility of happiness. David Pearce added that, if he were still an English master at Berkhamsted School, he would make this book compulsory reading.
Prof. Cedric Watts (University of Sussex, UK), author of A Preface to Greene (Longman, 1997) and a regular guest speaker at Festivals, rose from his place in Deans’ Hall to tell the audience that in the light of David’s talk he needed to rewrite his own book!
David Pearce is a Trustee and co-founder of the Graham Greene Birthplace Trust, and was Festival director for four years.
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